Cul-de-sac
evolving group exhibition
October 1 - December 11, 2022
Press:
Artforum, Must See
all Press Releases & complete Check List
Iterations
Week 1: Michael Ashkin +
Week 2: Patrick Killoran +
Week 3: Jeannie Weissglass +
Week 4: Justin Sterling +
Week 5: Leslie Brack & a "harvesting" +
Week 6: Peter Brock & Jodie Manasevit +
Week 7: Brad Benischek, Tom Butter, Eric Heist, Jodie Manasevit +
Week 10: Yanka Kostova, Pete Moran, Paolo Piscitelli, Lisa Sigal, Jeannie Weissglass + Week 11: 'Cul-de-sac' at night
Iteration 1
Michael Ashkin 'No.43', 1996, wood, resin, paint, dirt, n-scale models, 19.5 x 36 x 34 in.
detail, Michael Ashkin 'No.43', 1996, wood, resin, paint, dirt, n-scale models
Iteration 2
Patrick Killoran,'Infrastructure (Red)', 2021, variable polyptych, framed archival inkjet prints
Iteration 3
Jeannie Weissglass, 'Luna Legs' (2022) video animation, 35-second loop
Jeannie Weissglass, video still, 'Luna Legs', 2022, video animation, 35-second loop
Iteration 3
Patrick Killoran, Michael Ashkin and Jeannie Weissglass
Iteration 4
Justin Sterling's 'Broken Windows' added to the main gallery space along with Michael Ashkin's sculpture and Jeannie Weissglass's video animation
Iteration 5
Three Leslie Brack watercolors added and a harvesting from Brad Benischek's 'Ghost City' extracted from Cathouse FUNeral in 2015
Leslie Brack, 'Silver Shipping Container', 2018, watercolor on paper, 20 x 14 inches
Leslie Brack, 'Rusty Dumpster 2', 2018, watercolor on paper, 12 x 12 inches
Leslie Brack, '14th St', 2019, watercolor on paper, 12 x 12 inches
Iteration 5
from left, Michael Ashkin, Brad Benischek harvesting, Jeannie Weissglass
Brad Benischek, 'Harvesting: Ghost City,' 2015 graphite, shellac, pigment on plastered gypsum board, 50" x 31"
Peter Brock, 'The Limited Sphere', 2021, oil and graphite on aqua-resin on aluminum panel, 24 x 30 inches
Jodie Manasevit, 'Blue Sound' and 'Above Below' both 2022, oil on canvas,
12 x 7 inches, 16 x 10 inches
Jodie Manasevit,'Above Below', 2022, oil on canvas, 16 x 10 inches
Iteration 6
Peter Brock and Jodie Manasevit add a horizon, pictured here from left: Peter Brock, Micheal Ashkin, Leslie Brack, Justin Sterling, Brad Benischek
Iteration 7
from left, Tom Butter, Peter Brock, Jodie Manasevit, Leslie Brack, Justin Sterling, Michael Ashkin, Brad Benischek harvesting, Jeannie Weissglass
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Iteration 7
from left, Michael Ashkin, Jodie Manasevit, Brad Benischek, Eric Heist, Tom Butter
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Iteration 7
from left, Leslie Brack, Jodie Manasevit, Michael Ashkin, Brad Benischek
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Iteration 7
from left, Brad Benischek, Eric Heist, Michael Ashkin, Tom Butter, Peter Brock
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Iteration 7
Brad Benischek
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Eric Heist, from '355 Moons', 2022, silkscreen ink on paper, 11 x 11 in. ea.
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Tom Butter, 'SMF', 2022, stone, metal, string, mechanical mechanism,
67 x 27 x 27 inches
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Jodie Manasevit, 'Pink', 2022, oil on canvas, 12 x 9 inches
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Jodie Manasevit, 'Twilight', 2022, oil on canvas, 16 x 8 inches
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Jodie Manasevit, 'Witches Brew', 2022, oil on canvas, 14 x 7.5 inches
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Jodie Manasevit, 'Blue Sound', 2022, oil on canvas, 12 x 7 inches
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Brad Benischek, 'Scrolls', 2022, ink and gouache on sumi paper, 20 in. x 30 ft.
Brad Benischek, 'Scrolls', 2022, ink and gouache on sumi paper, 20 in. x 30 ft.
Iteration 8 (Week 10)
from left, Yanka Kostova, Patrick Killoran
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Yanka Kostova, 'Grain Silo', 2021, graphite on paper, 5 x 7 inches
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Iteration 8 (Week 10)
top, Brad Benischek 'Scroll', bottom Jeannie Weissglass 'Luna Legs'
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Jeannie Weissglass, 'Luna Legs', 2022, Kitpas on paper, 19 x 25 inches
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Iteration 8 (Week 10)
from left, Jodie Manasevit, Michael Ashkin, Lisa Sigal, Brad Benischek, Eric Heist, Tom Butter
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Lisa Sigal, 'In Free Fall (diamond)', 2022, acrylic and silk screen on canvas, 41 x 32 inches
Iteration 8 (Week 10)
from left, Tom Butter, Peter Brock, Jodie Manasevit, Leslie Brack, Michael Ashkin, Yanka Kostova, Brad Benischek, Jeannie Weissglass, Paolo Piscitelli
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Iteration 8 (Week 10)
from left, Yanka Kostova, Michael Ashkin, Brad Benischek, Jeannie Weissglass, Paolo Piscitelli
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Yanka Kostova, 'Mayfly', 2021, graphite on paper, 7 x 5 inches
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Yanka Kostova, 'Sand Pit', 2021, graphite on paper, 7 x 5 inches
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Iteration 8 (Week 10)
from left, Jeannie Weissglass, Paolo Piscitelli, Leslie Brack
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Paolo Piscitelli, 'Piccola scultura cruciforme', 2022, glazed terra-cotta, h. 5.5 inches
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Paolo Piscitelli, 'Eden (a sculpture of the world that has nothing in common with the world)', 2022, grey-nero alabaster, h. 9 inches
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Paolo Piscitelli, 'Desiderio, eterna notte', 2022, bruno caramella alabaster and Italian agate inlays, h. 16 inches
Iteration 8 (Week 10)
from left, Leslie Brack, Michael Ashkin, Jodie Manasevit, Lisa Sigal
Iteration 8 (Week 10)
from left, Eric Heist, Pete Moran, Tom Butter, Peter Brock, Jodie Manasevit, Leslie Brack
Pete Moran, 'False / Silent / Fire', 2022, metal, wire, plug, dimensions variable
Iteration 8 (Week 10)
from left, Brad Benischk, Jeannie Weissglass, Yanka Kostova
Implied infinite iterations with one steady through line:
Patrick Killoran,'Infrastructure (Red)', 2021, variable polyptych, framed archival inkjet prints
Iteration 9
Iteration 9
Iteration 9
with Paolo Piscitelli's sculpture projected from city street lights
Iteration 9
with Justin Sterling's 'Broken Windows' projected from city street lights
